Flat Ozymandias

Earlier this year I shared my Lipograms, the new form called (ingeniously) “flat poems”. Shortly thereafter, I picked out Shelley’s Ozymandias as a poem which I could try to flatten. Here’s the result, and the original.

once ere our era, a man or woman came:
“saw an enormous carcass, no arms,
near an ear, a nose or sneer
no emo. was carve so
we see ever more.
over a remem-verse
‘name me ozemanus
crown me ever, rex over rexes
woe on mere men – swear
ozemanus owns our arena
oz never wears awae
nor comes over-won’.
no more was seen
save a scar, a crow
an area ever same.”

I met a traveller from an antique land,
Who said—“Two vast and trunkless legs of stone
Stand in the desert. . . . Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
My name is Ozymandias, King of Kings;
Look on my Works, ye Mighty, and despair!
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away.”

Ode to Dvorak

Rising before us, the pregnant stage point stands,
every eye and ear awaiting the conductor’s leap
because when that hand swings, the sun will spring to life

and I and my mate, we are swallowed in the sunrise,
carried at the centre of a world awash with morning music,
drowning in Dvorak, Debussy, delight.

The breeze builds,
the wind roars and something explodes.
Violence and love go to war
with untoned arms in tune,
slashing and sawing.
I am attacked.
Ranks of architects, accountants and teachers,
march with dusk-drilled grace,
I see as headless bodies from where I lay slain near the grand legs.
Demisemiquavers quake like a bow
at the sound of a rattling quiver half-full
as the brown bass rolls beneath the army’s feet.

They strike, turn, execute
the music and me,
and I am strung up, unskinned
by, after all the fear,

a slow elbow.